Free Video Guitar Lesson - Two-Hand Tapping




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In this free video guitar lesson Brad Henecke covers the fundamental techniques of two-hand fretboard tapping. Brad Henecke describes how two-hand tapping can be used in rock guitar solos.

Scene 1: Introduction. In scene 1 of this tapping lesson Brad Henecke teaches the fundamental mechanics of a technique know as two-hand tapping. He shows you how this particular technique can be put to use effectively.

Scene 2: Tapping Notes. In scene 2 he shows you a great two-hand tapping lick that makes use of the A minor five note pentatonic scale.

Diagram: 1st And 3rd Boxes Of The A Minor Pentatonic Scale


This is a good lick, and a great place to start learning basic two-hand tapping exercises. This guitar lick uses the first and third box patterns of the five note pentatonic scale.

Start by placing your first finger on the fifth fret of the high E string, and then use your right hand 


to tap on the tenth fret of the high E string and then pull off. The last note is played by hammering onto the eighth fret with your little finger. Play this tapping sequence with a triplet feel. Practice this sequence over and over again using a METRONOME until you are able to play it with ease. You should start off slowly and steadily build up speed. When you play a two-handed tapping lick cleanly it actually sounds faster then a two-hand tapping lick that is played sloppily at a faster tempo.

This lick is played 4 times on each of the strings. Be certain to make the required left hand adjustments when going from one string to another.

Guitar Tab:  First Lick - Basic Two-Hand Tapping Exercises


Second Two-Hand Tapping Lick

The first lick on this video can be played without using the two-hand tapping technique, but it calls for some very difficult left hand stretching. In this case a guitar player can make a choice to tap the lick or use his left hand to finger the notes. Whether to tap or not is decision that is based on a couple of key factors. Two-hand tapping creates a very different musical tone than the basic pull-offs and hammer-ons. If the tone of a lick is better suited to tapping, than you should tap the lick. The lick’s context within the entire solo is also another factor in determining whether a lick should be tapped. As an example, if an intricate tapping section follows a lick, by tapping the first lick you do away with the need to adjust your right hand.

The second guitar lick that Brad plays is an example of a more common two-hand tapping lick. It is impossible to this lick with just one hand. Two-hand tapping is normally used to play a succession of fast arpeggios. Using arpeggios lets you outline exact chords all through the course of a guitar solo. As an example, this specific lick starts with an Am arpeggio, and then you play a C major arpeggio on the B string. This lick just like the first lick also ends by tapping an A note and then playing a descending slide.

Guitar Tab: Second Lick - Arpeggios

Combining Both Licks

Begin by playing the basic two-hand tapping sequence that was play in the second lick. Tap the twelfth fret with your third finger, and then play the sequence from the first lick using your second finger. You have now created a new lick that sounds excellent over an Am chord. Keep in mind that this lick is not easy to play at first, so play it as slowly as you can, making certain that the tone that you produce with the third finger is the same as the tone that is produced by your middle finger.

Guitar Tab: Third Lick - Combining Both Licks

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